Of Icons and Iconography: Seeing Jimmie Blanton

Iconography of the three Icons in Shi’i Muharram Rituals; The Peacock, the Cypress & the Lion

In this paper I will introduce a vernacular emblem, a copper peacock with an open tail which resembles the form of hand and a tiny miniature sculpture of lion, adjacent to the peacock feet. This sacred Shi’it item consists of symbols which have always been presented during Muharram rituals, conveying a number of iconography connotations. Comparison this figure with other&nb...

Icons R Icons

Christian Iconography and Biblical Interpretation

Since the Bible is regarded as the most important source of Christian iconography and iconography in return is the visual interpretation of the Bible, the relationship between Christian iconography and biblical interpretation is noteworthy. In some cases this relationship is such that the visual representation is actively involved in the interpretation of the biblical text and is...

The Iconography of Vermin

aughty, sharp-tongued, self-assured, unbearably self-sufficient, stingy, and violent beyond measure , " is how Georges de La Tour was described by his contemporaries. Municipal records confirm that he refused to pay his share to feed the hungry during times of famine. He assaulted an officer, beat a peasant, and made himself obnoxious to everyone by " sending his dogs after hare into the standi...

Bending Icons: Syntactic and Semantic Transformations of Icons

The notion of icons in visual environments is limited by perceiving icons as tacit entities that have meaning only to human beings and not to the machines that display them. This perception leads to visual tools that provide very little support for the creation of related icons representing related concepts. A large number of complex icons can be generated automatically by applying simple synta...